Presentation at the “Digital Humanities in Nordic Countries”, March 7-9, University of Helsinki


In this presentation, the process of learning performance art is articulated in the contextual change that digital archives have caused starting from the early 1990s. It is part of my postdoctoral research, artistic research on the conjunctions between divergent gestures of thought and performance, done in a research project How to Do Things with Performance? funded by the Academy of Finland.
Since performance art is a form of ‘live art’, it would be easy to regard that the learning processes are also mostly based on the physical practice and repetition. However, the origins of contemporary performance art are closely connected with the 1960’s and 70’s conceptual art and video-art. Therefore, the pedagogy of performance art has been tightly connected with the development of media from the collective use of the Portapak video cameras.

Digital archives and the learning processes of performance artDigital Humanities in Nordic Countries, March 7-9, University of Helsinki

Panel Teaching and Learning the Digital, Friday March 9, 11-12, at the Helsinki University, P674.


Author: Tero Nauha

Performance artist, researcher and writer.

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